Who were the first punks? Do The Damned have more of a shout than The Sex Pistols? The Stooges or Ramones? Gregg Deal, the acclaimed visual and performance artist behind his new project Dead Pioneers, is making a claim that Indigenous Americans were the first real punks. Deal suggests that the overarching theme of the album is an introduction to the band itself. Created with a DIY disposition and the love of a scene that saves lives, they reel off a roll call of marginalised groups and protected characteristics: Indigenous rights, Black rights, Brown rights, Asian rights, Gay rights, Trans rights, Workers rights and beyond. This is central to their identity and focus, saying that with a North American Indigenous person as the vocalist, being unapologetically upfront on the social, political and cultural side of things doesnt seem necessary, but paramount to the overall tone of the band. This self-titled debut, coming in at a lithe 22 minutes with only one of the twelve tracks exceeding three minutes, is almost over before it begins, but covers a huge amount of ground in that time. Blistering opener Tired sets out their stall; as with the whole album, it is passionate, but never preaching. Capitalised Political Music can be hard to land without coming across as hectoring or earnest, but Deals literary, humorous lyrics effortlessly cut through complex issues of marginalisation and colonialism. Tracklist: A1. Tired A2. We Were Punk First A3. Moving Day A4. The Punchline A5. Bad Indian A6. The Art of Savagery B1. Rage B2. Dreamcatcher B3. World Up My Ass B4. Political Song B5. Doom Indian B6. No One Owns Anything & Death Is Real