It was rumored that the film composer Ennio Morricone was not a great fan of jazz and that he couldn’t have done too much with the idea of improvisation. That may be true on the whole, but there were always great jazz musicians and jazz influences with him.

Crime music with a driving rhythm section and hot brass riffs, like the way the Americans set countless thrillers to music, was in fact a rarity with Morricone. The music for the film Il bandito dagli occhi azzurri (The Bandit with the Blue Eyes), which was directed in 1980 by Alfredo Giannetti, is all the more important for his filmography.

TRACKS:
1 Citta Viva
2 Madre Assente
3 Campi Aperti E Sospesi
4 Double Face
5 Esecuzione Radiofonica
6 Per Enrico, Riccardo E Roberto
7 Sotto I Ponti Della Citta
8 For Dalila
9 Stranamente Di Notte
10 Cinque Quarti
11 Madre Assente #2
12 Stranamente Un Giorno

It was rumored that the film composer Ennio Morricone was not a great fan of jazz and that he couldn\’t have done too much with the idea of improvisation. That may be true on the whole, but there were always great jazz musicians and jazz influences with him. Crime music with a driving rhythm section and hot brass riffs, like the way the Americans set countless thrillers to music, was in fact a rarity with Morricone. The music for the film Il bandito dagli occhi azzurri (The Bandit with the Blue Eyes), which was directed in 1980 by Alfredo Giannetti, is all the more important for his filmography. TRACKS: 1 Citta Viva 2 Madre Assente 3 Campi Aperti E Sospesi 4 Double Face 5 Esecuzione Radiofonica 6 Per Enrico, Riccardo E Roberto 7 Sotto I Ponti Della Citta 8 For Dalila 9 Stranamente Di Notte 10 Cinque Quarti 11 Madre Assente #2 12 Stranamente Un Giorno